Search Result
|
|
Bach Bibliography Search Result |
Series : ^diss.$Your search has generated the following results ...
Year : 2006
Max number of results shown : 300
Output sorted : chronologically (table)
| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Jansen, Frans | Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. | diss. | 103p | ||||
| | 2. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. | diss. | 113p | ||||
| | 3. | Kim, Mary Byung-Ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. | diss. | 158p | ||||
| | 4. | Harju, Tommi | Kaanonien kaatama? Johann Gottfried Waltherin elämä. | diss. | 161p | ||||
| | 5. | Sidorova, Elena Viktorovna | Principy hudožestvennogo pretvoreniâ horala v duhovnyh kantatah I. S. Baha. | diss. | 174p | ||||
| | 6. | Lloyd, Rebecca Joanne | Bach among the conservatives: the quest for theological truth. | diss. | 199p | ||||
| | 7. | Schüllerová, Silvie | Afektová teorie a hudebně rétorické figury. | diss. | 208p | ||||
| | 8. | Keen, Basil Sidney Charles | The Bach choir, 1876-1928. | diss. | 281p | ||||
| | 9. | Kempf, Davorin | Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte. | diss. | 417p | ||||
| | 10. | Lim, Aesook | The long chorale preludes of J. S. Bach (1685-1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and others. | diss. | 42p | ||||
| | 11. | Rubinoff, Kailan Ruth | The early music movement in the Netherlands: History, pedagogy and ethnography. | diss. | 443p | ||||
| | 12. | Berkhan, Jonathan | Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. | diss. | 461p | ||||
| | 13. | Lutterman, John Kenneth | Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. | diss. | 598p | ||||
| | 14. | Fišerová, Hana | Raný vývoj klavíru a klavírní pedagogiky a komparace interpretačních přístupů ve vybraných skladbách J. S. Bacha a F. Chopina. | diss. | 63p | ||||
| | 15. | Mills, Ian | A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. | diss. | 67p | ||||
| | 16. | Kingsbury, Brett | From Bach to Busoni: Transcription as visionary process in Ferruccio Busoni's Fantasia Contrappuntistica. | diss. | 75p | ||||
| | 17. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. | diss. | 94p | ||||
| | 18. | Yoo, Esther S. | Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'. | diss. | 97p | ||||
| | 19. | Carter, Adele Hall | Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. | diss. | ii, 4p | ||||
| | 20. | Kim, Eun-Ho | Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005. | diss. | iv, 78p | ||||
| | 21. | Florence, Dominic | Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. | diss. | ix, 55p | ||||
| | 22. | McGahie, Paul D. | The Choral Fugue: A Comparative Study of Style and Procedure in Works by J.S. Bach and W.A. Mozart. | diss. | vi, 114p | ||||
| | 23. | Fabrikant, Marina | Bach-Busoni Chaconne. A piano transcription analysis. | diss. | vi, 152p | ||||
| | 24. | Knobel, Bradley James | Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. | diss. | vii, 361p | ||||
| | 25. | Hughes, Indra Nicholas Martindale | Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. | diss. | viii, 188p | ||||
| | 26. | Luongo, Paul Gabriel | Theodore Thomas's 1902 Performance of Bach's B-minor Mass: Working within the Grand American Festival. | diss. | x, 96p | ||||
| | 27. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. | diss. | xii, 454p | ||||
| | 28. | Pinkevičius, Vidas | Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works. | diss. | xiii, 81p | ||||
| | 29. | Green, William R. | Robert Shaw's Approach to Rhythm and Phrasing as Evidenced in His Preparation of Bach's B minor Mass. | diss. | xv, 190p |